ආර්යා ඩයනා ස්ටැන්ලියර් ලන්ඩන් නුවර තරුණ කණ්ඩායම් සමඟ විනෝදකාමී ජීවිතයක් ගතකළ සුරූපි යුවතියකි. මුරණ්ඩු ච්රිතයක්වූ ඇය තම ආදරය පැතු තරුණයින් දුටුවේ කවටයින් ලෙසය. ඔවුන් සමච්චලයට ලක්කළ ඇය සැලකිලිමත් වුයේ තම විනෝදය පිළිබදව පමණය.
A woman; a war; a child that changed everything. Spanning the sweep of the twentieth century, we must be brave is a luminous and profoundly moving novel about the people we rescue and the ways in which they rescue us back. She was fast asleep on the back seat of the bus. Curled up, thumb in mouth. Four, maybe five years old. I turned around. The last few passengers were shuffling away from me down the aisle to the doors. ‘whose is this child?’ i called. Nobody looked back.
Cassandra bowden is no stranger to hungover mornings. She’s a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a dubai hotel room, she tries to piece the previous night back together, counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets.
After saving olympus from the evil titan lord, kronos, percy and friends have rebuilt their beloved camp half-blood, where the next generation of demigods must now prepare for a chilling prophecy of their own:
After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue pacific. The only survivors from the wreck are a sixteen year-old boy named pi, a hyena, a zebra (with a broken leg), a female orang-utan and a 450-pound royal bengal tiger. The scene is set for one of the most extraordinary and best-loved works of fiction in recent years.
When tess durbeyfield is driven by family poverty to claim kinship with the wealthy d’urbervilles and seek a portion of their family fortune, meeting her ‘cousin’ alec proves to be her downfall. A very different man, angel clare, seems to offer her love and salvation, but tess must choose whether to reveal her past or remain silent in the hope of a peaceful future.
After angering his father, zeus, the god apollo is cast down from olympus. Weak and disoriented, he lands in new york city as a regular teenage boy. Now, without his godly powers, the 4,000-year-old deity must learn to survive in the modern world until he can somehow find a way to regain zeus’ favor.
The protagonist, rukmani, talks about about her arranged marriage to nathan in first person in this book. The story pans across from the time she was twelve, when she got married, until the death of her husband many years later. Although the book avoids particulars about the time period in which and the exact places where the story is set, clues in the context suggest that the story was set in the author’s contemporary india.
Alice had come halfway across the world to find that, yet again, she was considered wanting. Well, she thought, if that was what everyone thought, she might as well live up to it.’ england, late 1930s, and alice wright – restless, stifled – make an impulsive decision to marry wealthy american bennett van cleve and leave her home and family behind. But stuffy, disapproving baileyville, kentucky, where her husband favours work over his wife and is dominated by his overbearing father, is not the adventure – or the escape – that she hoped for.
A novel of intense power and intrigue, jane eyre has dazzled generations of readers with its depiction of a woman’s quest for freedom. Having grown up an orphan in the home of her cruel aunt and at a harsh charity school, jane eyre becomes an independent and spirited survivor-quality that serves her well as governess at thornfield hall. But when she finds love with her sardonic employer, rochester, the discovery of his terrible secret forces her to make a choice
Beloved author elizabeth gilbert returns to fiction with a unique love story set in the new york city theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), city of girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.
Clay jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by hannah baker, his classmate and crush, who committed suicide two weeks earlier. Hannah’s voice explains that there are 13 reasons she decided to end her life. Clay is one of them. If he listens, he’ll find out why.