With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings.
A threat to his life will propel him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence. Only Langdon’s knowledge of hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers. With only a few lines from Dante’s dark and epic masterpiece, The Inferno, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance – sculptures, paintings, buildings – to find the answers to a puzzle which may, or may not, help them save the world from a terrifying threat…
“What is wrong with you?’
Laura has spent most of her life being judged. She’s seen as hot-tempered, troubled, a loner. Some even call her dangerous.
Miriam knows that just because Laura is witnessed leaving the scene of a horrific murder with blood on her clothes, that doesn’t mean she’s a killer. Bitter experience has taught her how easy it is to get caught in the wrong place at the wrong time.
Carla is reeling from the brutal murder of her nephew. She trusts no one: good people are capable of terrible deeds. But how far will she go to find peace?
Innocent or guilty, everyone is damaged. Some are damaged enough to kill.”
Bill bryson describes himself as a reluctant traveller, but even when he stays safely at home he can’t contain his curiosity about the world around him. A short history of nearly everything is his quest to understand everything that has happened from the big bang to the rise of civilization – how we got from there, being nothing at all, to here, being us. Bill bryson’s challenge is to take subjects that normally bore the pants off most of us, like geology.