Authors | |
---|---|
Cover | Soft Cover |
ISBN | 978-624-5572-48-9 |
Language | Sinhala |
Pages | 422 |
Publishers | |
Source | LOCAL |
Template | BOOKS |
අම්මා
රු1,600.00
Price Summary
- රු1,600.00
- රු1,600.00
- රු1,600.00
‘අම්මා ගැන හිතලා හිතලා ම තමයි මගේ පපුව
ඇතුළෙ තියෙන මස් වැදැල්ල හදවතක් වුණේ.
මෙතන ඉන්න වැඩි දෙනෙක් ලබන ආත්මයක්
විශ්වාස කරනවා. එහෙම ලබන ආත්මයක්
තියෙනවා නම් මං කැමතියි ගැහැනියක් වෙලා
උපදින්න. ඒ ආත්මේ දී මගේ අම්මා මගේ කුසේ
පිරිමි කළලයක් වෙලා උපදින්න ඕන
එතකොට මට පුළුවන් පිරිමි පුතෙක් හදන්න
මං අම්මා වගේ ගෑනියෙක් වෙලා
ඒ පුතා වෙනුවෙන් මට පුළුවන් දුක් විදින්න
ඒ හින්දා නිවන් යන්න ඉස්සෙල්ලා ආයෙත්
මගේ බඩේ පිරිමි පුතෙක් වෙලා උපදින්න
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පාළු මැදුරේ සිරකරුවෙක්
බ්රිතාන්ය ජාතික ලේඛිකාවක වූ එනිඩ් බ්ලයිටන් විසින් 1942 දී ළමුන් සඳහා ලියන ලද ‘ෆේමස් ෆයිව්’ කතා මාලාව කොටස් 21 කින් යුක්තය. මේ එකලොස්වැන්නෙහි සිංහල පරිවර්තනයයි.
ජුලියන්, ඩික් සහ ඈන් ද, ඔවුන්ගේ නෑ සොයුරිය ජෝර්ජ් ද, ඇගේ සුරතලා ටිමී ද යන පස්දෙනා නත්තල් නිවාඩුව ගත කිරීමට කිරින් ගෙදරට එක් වෙති.
කිරින් ගෙදර අසල පිහිටා තිබූ කිරින් ගොවිපල සහ කිරින් ගොවි ගෙදර කල් ගත කිරීම ඔවුන්ට බොහෝ විනෝද ජනක කරුණක් වේ. ඒ අතර හදිසියේම කොන්ටින් මාමාගේ විද්යාත්මක සොයා ගැනීම් ඇතුළත් රහස් ලිය කියවිලි කිහිපයක් අතුරුදහන් වෙයි. එය සොරා ගත්තේ කවුද? ළමෝ කුතුහලයට පත් වෙති.
ඉන් පසුව ඔවුන්ට මුහුණ දීමට සිදු වූ අපූරු වික්රමාන්විත අත්දැකීම් රැසක් වටා මෙම කතාව ගෙතී තිබේ.
සිනාසෙමු අතීතෙට
“ඊයේ රෑ පුරාම මිනිහෙක් මගෙ කාමරේ දොරකඩ ගාව ඉඳගෙන ජීවිතේට අහපු නැති කුණුහරුප කියලා බැන්නා.”
“ඒ ඇයි?”
“නැහැ ඊයේ ෆීල්ඩ් එකේ යන දවස.ඒ මනුස්සයාගේ ගෑණු මනුස්සයාට පස්වෙනි දරුවට මාස තුනයි ඊයේට
වැඩිමහල් ළමයාට අවුරුද්දයි. අනිත් ළමයාට අවුරුදු දෙකයි. වැඩිමල් ළමයට අවුරුදු පහයි. ඒ මනුස්සයා හොඳටම දුර්වලයි. පොඩි දරුවට දෙන්න කිරිත් නැහැ.
පලංචිය
“හොරෙක් හොරෙක්… මෙන්න හොරෙක්…”
සෙලානෝනා හැකිවෙර යොදා කෑගෑවාය.
කාමගින්නෙන් පිච්චි පිච්චී චාරුලතාගේ ගෙට රිංගන්නට මාන බලබලා උන් දනියෙල් ඒ හඬට ගැස්සිණ. සෙලානෝනාගේ සද්දයට වෙලේ නාන ළිඳ ළඟ උන් තරුණයින් කීපදෙනා මහනියර දිගේ දුවඑන්නේ මේ පැත්තටය. දනියෙල් වහා පාර පැත්තට දිව්වේය.
“මෙන්න හොරෙක් .. මේන් හොරා පැන්නෝ…”
කතා කරන මහවැව
ලංකා ඉතිහාසයේ එක් එක් කාල වකවානුවල රාජධානි බිඳ වැටෙන විට, ඒ සමඟ ම බිහි ව තිබූ විශාල පරිමාණයේ වාරි කර්මාන්ත ද අභාවයට ගියේය. එහෙත් කුඩා පරිමාණ වාරිමාර්ග පද්ධති සහ කුඩා ගම්මාන එසේ අභාවයට නොගොස් චිරාත් කාලයක් අඛණ්ඩ ව පණනල රැකගෙන ඒමට සමත් විය. එයට ප්රධාන හේතුව වූයේ ඒවායේ පරිමාණයේ ඇති සරල බව, සහ එම සරල බවට පදනම් වූ ග්රාමීය ජීවන රටාව පරිසරය සමඟ ඇති කරනෙ තිබූ සමෝධානයයි. කතා කරන මහවැව හඬනඟා කියා පෑමට උත්සාහ දරන්නේ වාරි තාක්ෂණය හා බැඳුණු ඒ අපේ ජන ජීවිතයේ අවියෝජනීය සබැඳියාව පිළිබඳ කතන්දරයයි.
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